Wednesday, January 09, 2013

Lifestyle Shooting Session Lengths (For Competitive Bidding Scenarios)

                                          A post from Derrel's Photography Blog

"Lifestyle" newborn shoot: 3 hours. MINIMUM! Simply impossible to do in less than 180 minutes. Ask any self-taught MWAC baby shooter. If time is needed for "Lifestyle" baby-is working-on-a-poop waiting time: allow an extra two to three hours, for a total time of between 5 and 6 hours.

"Lifestyle" senior portrait session: 7 hours. (Includes 2-hr zit popping session.)

"Lifestyle" wedding shoot: 11 hours, or 4,800 frames,whichever takes longer.

"Lifestyle" 25th wedding anniversary shoot: 9 hours, or 3,900 frames.

"Lifestyle" anniversary dinner shoot : 5 hours.

"Lifestyle" nightcap cocktail shoot: begins at 11:30 PM, runs until 5:45 AM.

"Lifestyle" engagement session: 4 to 8 hours, depending on ring carat size.

Set-Up and Posing Guidelines for Lifestyle Shoots:

"Lifestyle" fake flooring,baseboard, and wallpaper background set-up time: 36 minutes per set.

"Lifestyle" baby headband positioning: 11 minutes, avg..

"Lifestyle" diaper change: 17 minutes (includes two-minute talcum powder dry-down time.)

"Lifestyle" baby feeding: Breast: 45 minutes. Bottle: 37 minutes. Includes burping, spit-up, spit up rag replacement, and blouse change for parent.

"Lifestyle" newborn shoot, mid-session baby nap: 1 hr 45 minutes, minimum. Mid-session photographer's smart phone blogging & Instagram uploading session, 30 to 50 minutes.

"Lifestyle" baby-is working-on-a-poop waiting time: 2to 3 hours, on average.

"Lifestyle" baby hair arranging time: 31 to 42 minutes, average. Bald babies, 11 to 15 minutes. (see "Lifestyle" baby headband positioning guidelines, above.)

"Lifestyle" Anne Geddes crib session (no not the sleeping crib kind of session--but COPYING Anne Geddes ideas from books!!), 1hr. 10 minutes per session, on avg.

"Lifestyle" doorbell ringing: 1 to 4 minutes. Includes walk from curb to front porch or stoop; apartment walk-up times may extend as long as 12-15 minutes in high-rise buildings.

"Lifestyle" waiting period for sleeping baby to strike angelic, world-famous poses: 3 to 9 minutes, per photo.

All guidelines are minimum times. No possible professional posing and session secrets or 40-year industry insider tips are allowed to be used--EVER.

Wednesday, March 03, 2010

Don't Believe The Slanderous Claptrap

I've recently been accused of "hating Canon" cameras. Funny, that: for most of my personal photography over the last two years, the camera I reach for when the photos need to be good is a ...C...c...c....CANON 5D ! I personally love the file quality from the Canon 5D, and the body is smallish, light, and does not draw attention like a huge Nikon or Canon 1-digit body does. I have been using 35mm style SLR Cameras since the mid-1970's,and am firmly convinced that a smaller, less-obtrusive, more "amateur-looking" camera makes people feel more at ease,and so the half-height Canon 5D makes an excellent full-frame platform for social photography situations.

Let's see, I own the following Canon equipment.

Canon 24-105 f/4 L-IS USM
Canon 50mm f/1.4 USM
Canon 85mm f/1.8 USM
Canon 100mm f/2.8 Macro USM
Canon 135mm f/2.8 Soft Focus
Canon 135mm f/2 L USM
Canon 70-200 f/2.8 L-IS USM
Canon 18-55 EF-S
Sigma 18-125mm DC
Sigma 80-400mm OS zoom
Canon Digital Rebel 350
Canon EOS 20D + battery grip
Canon EOS 5 D + battery grip
Canon 580-EX II Flash
Canon 500D + Diopter lens 77mm

Canon A-1 underwater 35mm camera

14 Nikon F lens to Canon EF body adapters
Five M42 thread mount lens to Canon EF body adapters

So, for a guy who allegedly "hates anything Canon" it would seem odd that I own over $10,000 worth of Canon gear, wouldn't you agree? Canon has some very good things going for it, such as a good raw developer software, FREE, with each camera. Canon's DPP software does a good job of converting RAW files and is rock-solid, very much UNLIKE Nikon Capture, which despite its $179 price, is a crash-prone, slow, archaic piece of software that is exceedingly cranky to work with. Nikon Capture has a few truly unique advantages, like its Lightness Channel editor,and the ability to read the secret, encrypted white balance from Nikon D2x NEF files, but it's mostly a software app for hand-perfecting a few selects, or for simple en mass global adjustments, with the changes written back to the NEF files without sidecar files, or for the worker who wishes to make a fully perfected, fully adjusted, color-balanced and tweaked original NEF file, and have the entire change list written back to the "original" .NEF file.

Much of my fondness for the Canon 5D is that Canon has a good, single-lens zoom offering that can handle anything between 24 and 105mm, with stabilizer, and a constant f/4 aperture. Nikon has nothing for full frame users that can compare, except two atrocious versions of the 24-120 piece of shit lens. Man, what a piece of crap. Total, effin' crap. Flimsy build, awful ergonomics, and Coke-bottle bottom corners, and a reputation, well deserved, for wobbly barrel feel, second rate build and amateur-level optics. Canon's 24-105mm f/4 L IS USM on the other hand, has full-time manual override, USM focusing, Image Stabilizer, solid build, and a very ideal balance on the 5D body when used without the grip.

One of the Canon 5D's real hidden strengths for me though, its its ability to be used with both Canon AND Nikon lenses, as well as Pentax M42 lenses. That is why I own 14 Nikon lens to Canon EF-mount lens adapters, and five M42 lens adapters. I have been using Nikon 35mm SLR cameras and lenses since 1982, and I have a lot of lenses in F-mount. Lenses that are for the most part unlike any made by other makers. I have a number of very good Nikkor manual focus lenses which have NO EQUAL from any other maker. Nikon's trio of top mid-range telephoto lenses 85/1.4, 105/2 DC, and 135 f/2 DC are a single-decade design of lenses which operate as the perfect trio of high-speed telephoto lenses optimized for people photography, with excellent optics and surprisingly light weight, and all three have superb bokeh, with each lens being a fantastic optic in its own right. Having a Canon full-frame body with a 12.8 megapixel 24x36mm sensor leverages my 85/105/135 Nikon primes.

The Canon 5D "looks like" a consumer d-slr when the grip is off, and it carries like a consumer camera as well, which makes it almost ideal for carrying with you. With the handgrip and two batteries in it, the camera balances better with big glass on it, for "serious" work. It works in semi-automatic metering mode in Aperture Value automatic, which is my favorite automatic mode, with ANY NIKON LENS made in the 1959-1977 pre-AI era; it works with ALL the lenses made in the 1977-2010 Ai and Ai-S manual focus era; it works with ALL the AF and AF-D Nikkor lenses--in Aperture Value automatic mode, and in manual, match-diode metering modes. I've been amassing lenses in F-mount since 1982,so I have a huge investment in manual focusing Nikkor lenses that work better on a Canon 5D than on many mid-range Nikon bodies, which are INCOMPATIBLE or at best semi-incompatible with over 20 years' worth of manual focusing lenses I have accumulated. The Canon 5D will accept over 50 Nikkor lenses that I own and have been amassing since 1982...all except the very-newest G-series lenses I own.

I'm used to the 24x36mm, 3:2 ratio camera. I have spent almost three decades using 24x36 cameras and full-frame lenses, and only nine years with 1.5x and 1.6x crop-body D-slr cameras. I bought my first digital camera in 2001, a Nikon D1. I have *never* liked the 1.5x or 1.6x crop body cameras and the way they affect lens performance. All the wide-angles and wide zooms are crippled on APS-C bodies. Prime telephotos, which I own a lot of, are rendered too narrow-angle for use in the situations they were designed for, and are seriously restricted when used indoors. A 1.5x or 1.6x field of view reduction forces very long working distances in portraiture, and forces one to work with a total image area that is roughly 2.3 times smaller in area than a 24x36 camera. A 24x36 digital sensor offers superb High ISO capabilities, and returns the "35mm" style camera to what it was from 1928 to until early 1999, when the Nikon D1 hit the market with its odd, 1.5x sensor size.

For somebody like me, who has been using Nikon 35mm SLR bodies and lenses since 1982, and who still owns the SAME, exact F-mount lenses from the 1980's and 1990's, the value and utility of a Canon FF body as a triple-brand light-tight digital camera with a supply of superb digital film inside the box is almost inestimable. The Canon 5D performs AV and manual light metering with 90% of the Nikon lenses I own; it is more-adaptable than any Nikon, even the pro Nikons, because the 5D can use older, unmodified pre-AI lenses and macro accessories, which I have a few of: the D1,D2,and D3 Nikons cannot use those older pre-Ai lenses and accesories without damaging the camera. A D1 or D2 is a huge, obvious, threatening camera. The 5D looks like a consumer camera, and draws very little attention and does not put people "off". The Canon 5D hearkens back to the era of the Nikon FE-2 and Nikon FM. In many respects, the Canon 5D is almost the perfect replacement for the Nikon FE-2 or the Nikon FM or the Nikon F3--it can use all the same,exact lenses and accessories, and it offers the same minimalist design ethos as those three Nikons, which I used from 1982 to 2001. I spent basically 19 consecutive years using either an FM, or an FE-2 or a Nikon F3 HP and manual focusing lenses. To me, manual focusing is still a viable option in many situations. Even with an AF camera in use.

It's really quite simple. The Canon 5D is an almost essential camera to buy and own for anybody who has a large collection of older Nikon lenses and macro accessories. The Canon 5D and 5D-Mark II are without a doubt among **the MOST-ADAPTABLE*** camera bodies a long-time Nikon shooter can own. Full, uncropped lens angle of view, superior image quality,dependable and free RAW converter software, small size, a light weight body, and Av automatic and manual match-diode metering modes with basically all the 1959-2007 manual focus Nikon or Pentax lenses, PLUS full and totally dedicated operation with all Canon EF autofocusing lenses made since 1987.

There's a specific individual on the web spreading lies about me, saying that I hate anything Canon. That is pure, unadulterated bullshit. An outright lie. While I prefer Nikon's body control systems,and have 28 years worth of experience with lenses that mount the opposite way and focus the opposite direction as Canon lenses do, I have invested pretty heavily in Canon lenses, and find that for me, the Canon 5D offers excellent image quality and it works with each and every lens I own except for just a handful of G-series Nikkors. I still use manual focus macro lenses and manual focus tele-primes, and still rely on my Nikon lens collection on many occasions. I cannot justify owning two complete camera systems unless one of the systems features lens cross-compatibility--which is where the CANON system is the absolute, unsurpassed champion of the 35mm style SLR cameras. I have Nikkor 180mm f/2.8 ED-IF, 300 f/4.5 internal focus, 300 f/4 AF-S, 300 f/2.8 AFS-Mark II, and 400mm f/3.5 internal focus lenses...I simply can NOT afford to duplicate those lenses in both Canon and Nikon lens offerings. My Nikon,Tamron, and Sigma macro lenses, five lenses in all, serve double-duty by owning Canon and Nikon bodies. Owning a Canon or two to go with a Nikon lens collection makes absolute, total sense. It is a **HUGE** advantage to own a Canon body or two if you own more than a few Nikon lenses made between 1959 and 2007.

Again,the idea that I "hate Canon" is a load of total bullshit. Any Nikon shooter who wants to leverage his pre-G Nikkor lenses definitely needs to own at least one Canon body. And now, there are new G-series Nikon lens to Canon body adapters, with a new one scheduled to appear from Novoflex, that will also leverage the fantastic new G-series VR-equipped Nikkor super-telephotos and the new Nikon VR-GV series zooms and Nikon's newest, shorter macro primes in 60-85-105mm lengths.

The idea that I hate Canon is idiotic. It's a camera system that can adapt to lenses made from 1959 to 2009, from many manufacturers. A Canon body breathes new life into Leica-R lenses, M42 thread mount lenses, Olympus OM-series lenses, and Nikon F mount lenses and accessories. I own three Canon d-slrs, eight Canon brand lenses, and two Sigma lenses in EF mount. I would not have spent well over $10,00 on something I "hate". Don't listen to the slanderous claptrap being spewed by a guy who has been in the photo game for only a short while, and who does not seem to understand that no one, single brand of equipment reigns supreme, and who fails to understand that cameras,lenses, and flash gear are not religions, but merely object to be used. Don't listen to this guy that doesn't own accessories that might have been made in the 1970's or 1980's, or the 1990's, and which although now apparently "old", might actually the best of their kind, and which might simply not be made any longer, at any price.

I believe that Nikon has a better body control system than any other camera maker, and I prefer Nikkor lenses that have aperture control rings on each, individual lens, but to use an analogy, Nikon is the Seagrams, and Canon is the 7-Up, and the lenses are the glass that holds it all,and makes it possible to enjoy the totality of the experience.

Put another way, Nikon is the pepper. Canon is the salt. The lenses are the steak.

If you do not have any steak, there's no need for either pepper or for salt. The guy that continually trumpets how good the white, Canon salt is, but has no steak to go with it doesn't really have much of a meal to eat now, does he? I understand that no one, single company has a "lock" on quality or on dominance. Right now, Canon has some GLARING, and HUGE holes in its product matrix. Right now Nikon has some HUGE, and GLARING holes in its product matrix. I've been around the photo game since I bought my first 35mm camera 37 years ago, and taught myself to shoot when I was 10 years old. There's plenty that I have lived through, and my point of view is not that of a one-brand zealot. I have lived through the dominance of Nikon, and seen the rise of Canon, the dominance of Canon, and now the pendulum seems like it's STUCK--right in the middle.

To the person who thinks that Nikon reigns supreme, or that Canon reigns supreme, or who sees a Canon hater in me, I'd urge you to look deep within yourself, and start looking at the points of view of other shooters, and not just me, who know more about other camera and lens systems that you happen to know absolutely zero about from personal experience, ownership, or even rental. I do not "hate Canon"--I have a PREFERENCE FOR Nikon optics over certain Canon optics, but I use both,and I own both.

I'm tired of reading that I have a "bias towards Nikon" from my internet stalker, Tim Harmsen of Valparaiso, Indiana AKA "InTempus", and the founder of the Canon fanboy website I have bought well over $10,000 of Canon gear, and have not sold any of it! I still keep it and use it! What I do have in some instances, is not a bias, but rather a preference for Nikon. A preference that has been built over almost three consecutive decades, since 1982 to the present--not from experience that began in 2007 or 2008 or 2009. I have a preference for Nikon in the areas where Nikon works better for me, feels better to me, or whenever a Nikon product actually *IS* better than a comparable Canon product that I happen to own. I cannot buy and own everything, so I buy the products that I feel are the best value, or which will bring the most utility. And newsflash --at times, either a Canon or a Nikon product will be notably, almost unequivocally better, OR horror of horrors, the "other" brand will have absolutely NO competing product(s) in an entire category. None. Nothing, Zip. Zero. Nikon Full-Frame d-slr prior to 2007? NOTHING to buy, so I bought a Canon FF 5D. Professional grade ultrasonic motor zoom lens like the 200-400mm f/4 Zoom-Nikkor with VR? From 2003 to 2010 Nikon has owned that category, with zero competition from any maker. Professionally capable bodies with built-in multiple flash commanders and advanced grouped flash TTL control? A Nikon exclusive for many years, with Canon's 7D being the first Canon to even begin to approach Nikon's features. Affordable, high-MP d-slr with half height body and full-frame video--the Canon 5D Mark II blows everything right out of the water--at only $2,499! And there are several other factual instances of dominance and or exclusivity among various Canon and Nikon gear. Where is Nikon's autofocusing 50mm f/1.2 lens? Where is Nikon's USM 80-400mm? Where is Nikon's MPE-65 1x-5x ultra-macro lens? Where is NIkon's 35mm/1.4 USM lens? Where is Nikon's 400mm f/4 DO lens? Where is Nikon's 180mm/3.5 macro? Where is Canon's 14-24mm f/2.8 with WORLD-class optical performance that betters **almost any** prime lens made in the last 30 years?

These last few comparisons are not opinions--they are cold,hard facts. No fanboy arguments can change the facts.

For those who wish to expand your capabilities and buy "exotic" lenses, or want to amass an entire wide-spectrum lens kit on a starving college-student type budget, you seriously should look at the various Canon d-slr bodies as a key part of your camera strategy. A Canon d-slr can be fitted with doggone near any lens you'd ever want to use,and with a bit of practice, can be useful in many shooting situations that do not demand rapid focusing or sure-fire AF performance. With a Canon body, the world of 35mm style lenses is your oyster. And I do love oysters!

Saturday, December 26, 2009

Trends in Photography for 2010

Well, 2009 is drawing to a close. Not much has really changed in the photo world, at least from my point of view. Overall, the largest trend I see gaining momentum is amateurs who wish to learn how to use multi-flash and/or off-camera flash lighting, spawned largely as a result of the popularity of the Strobist blog run by David Hobby, and the proliferation of inexpensive Chinese-made remote triggering products. As recently as a few years ago, the Pocket Wizard folks owned a major portion of the remote triggering market, but with the rise of eBay and the Chinese manufacturers getting into the market, the entire situation has changed, radically. The term "Strobist" is a recently coined one, and increasingly the "Strobist" mentality is spreading to more and more hobbyists, which I think is a great thing.

Another trend I see is the "instant expert"; the guy who has been taking photographs for a year or a little more, and who has a good-paying job, and as a result has been able to buy a selection of higher-end lenses and a camera body or two, and who holds himself up as some type of "expert" on various photography forums. Oh, he never publicly admits he's really just a newbie with a generous budget; no, instead, he writes post after post as if he's been around photography for quite some time, and as if his opinions actually have merit. I'm seeing increasing numbers of these "instant experts".

Another trend I see gathering steam is the "50mm Brigade". The 50mm Brigade is a group of people, each of whom has discovered the beauty of the fixed focal length 50mm lens. With lens prices for many higher-specified lenses having risen quite a bit over the last few years, and with the popularity of internet photography forums, the wonders and capabilities of the 50mm lens have been discovered by an increasingly large percentage of first-time d-slr buyers, as well as more experienced shooters. The 50mm Brigade marvels at the benefits of a fixed focal length lens with a wide maximum aperture. It's good to see people getting a taste of what prime lenses are all about! Nikon's new, low-cost 35mm f/1.8 AF-S DX Nikkor lens has spawned another sub-group: the 35mm Brigade. Let's hope this trend of prime lens use increases.

Among on-line forums, the increase in fanboys and One Brand Zealots has been duly noted in the year 2009; one thing I have noticed, especially among older shooters, seems to be a tendency to quite vociferously demean and put down the Sony brand. One cranky Canadian repeatedly uses his position as an old-timer in an on-line forum to refer to the Sony Alpha line of cameras as the dog food brand "Alpo". How clever is our little Canadian crank? Answer: not very. This year he ditched Canon in favor of Nikon....funny,really, some of the stories behind his defense of Canon products earlier in the year. He and I got into a discussion of the EOS 5D and its lackluster autofocusing system, with him defending the 5D's AF performance, and me disparaging it. Of course, he had never owned a professional-caliber Nikon AF body, so he had no basis for comparison for his weak assertions. But then again, this guy held himself out as an "expert", yet his experience in the d-slr world is substantially shorter and more limited than mine, so his lack of an actual basis for comparison between a "professional-level" AF body and an EOS 5D's AF system is understandable. I'm sure his experience with a higher-end Nikon (he went with the D700) will allow him to see the error of his earlier opinion.

The avalanche that is Flickr is gaining momentum,and its roaring sound can be heard and felt all over the web. Flickr has become a powerful social networking AND photo hosting site within the past year. More and more folks are signing up for free and paid Flickr accounts. Giving something away for free has long been a strategy to bring people in and hook them long-term, kind of like the old give away the razor, sell them the razor blades strategy. While the majority of Flickr users are users with free accounts, I am seeing an increasing number of people with paid "pro" accounts. As I see, it, each account established at Flickr means at least a 30 percent chance that the owner of that account will NOT establish a payed account at another photo hosting site like pBase or SmugMug, for example. Since 2009 was the death year for Microsoft's paid "Microsoft Encarta" encyclopedia (begun in 1994), I suppose it might take a while for people to entirely abandon some of the older payed sites for their photo hosting needs, in much the way people stopped paying Microsoft for (in)accurate, revisionist information,and instead settled on using Wikipedia as a way to get their (in)accurate and revisionist information without paying for said information.

Looking on eBay, a trend I have seen within just the last few days is the modification of some inexpensive Chinese-made beauty dishes to the Speedotron mount, using a rear mounting system that has four bolts and four round nuts, thus allowing the adaptation of the beauty dish to different strobe mounts. I have one of these beauty dishes in the 16 inch size, with a white nylon diffuser. The newest ones are priced at $49.95 to $59.95, to $89.95 with a 16 inch honeycomb grid at the higher price; I think this is a very good value for a beauty dish, and I predict that these affordable dishes will be popular in 2010. Why?

The low-cost beauty dishes and grids will be popular in 2010 because the studio lights for hobbyist movement is gaining momentum at a rapid pace. As a result of the Strobist movement, interest in studio electronic flash is at what I consider an all-time high. Monolight systems like Alien Bees, Elinchrom, Calumet Genesis, Adorama FlashPoint, JTL, and others seem to be drawing the attention of more and more basement and garage studio shooters than ever before. I personally like the look of somewhat smaller sources like 16 and 20-inch reflectors for single and two-person photographs. Umbrellas and softboxes are nice and all, but are not the be-all, end-all of lighting, and as people search for ways to add distinctive looks to their setups, I predict that the low-cost beauty dish will become one of the hot trends of 2010.

Paul C. Buff's new, large parabolic umbrellas were recently profiled on, and I think that 2010 will mark the introduction of the new Buff "PLM" system umbrellas as a popular light modifier for certain applications.
With sizes of 86 inches, 64 inches, and 42 inches, these new umbrellas are affordable, and they are EXTREMELY efficient, delivering unusually high guide numbers, even with smaller speedlights. Dubbed the Parabolic Light Modifier system, Rob Galbraith and crew have been using them since August of 2009, and their article " PLM umbrellas offer sweet combo of efficiency and softness" is a must-read article for those who are interested in using umbrellas for sports or group shots where it is desirable to have a very efficient light source that can cover a large area.

Friday, October 30, 2009

D-SLR Photography in a State of Flux

Over the past few weeks, it seems to me that d-slr photography is once again in a state of flux. Periodically, the field seems to become overwhelmed with changes,and this period now seems to be one of those periods where the "old" values and the old expectations are changing. Nikon has introduced some new cameras, at both the entry level and it has iterated its top semi-pro and pro bodies the D300s and and D3s. Canon has recently stepped up its semi-pro offering, the 7D, offering multi-point AF and Canon's first ever color-aware light metering system. Sony has introduced the full frame a850 at $1899, marking the first time a full frame d-slr body has been introduced at anywhere under the $2,000 price point. Panasonic has introduced new higher-end EVIL or Electronic Viewfinder Interchangeable Lens cameras in the 4/3 mount, and Olympus and SIgma have both introduced fixed-lens digital cameras that are somewhat like the old 35mm compact rangefinders like the Minolta Hi-Matic series or the Canon Canonet series of cameras. All around the photography world, the expectations and features of the d-slr have been changed, or challenged. As the title indicates, d-slr photograhy is in a state of flux.

I had intended to title this post "I Don't Know What Anybody Wants These Days," but that sounded kind of weird, plus it didn't contain the term photography in it, and this is ostensibly a blog about photography topics. But you know, I've been hitting some of the web sites and photography blogs, and spending a lot of time at The Photography Forum for the past three months or so, and the thing I notice now is that there is widespread confusion, indecision, and uncertainty right now among many people for whom photography is a hobby,pastime,passion, or profession. Digital photography has basically overtaken film-based photography for most shooters, that's a given. But right now, the major manufacturers are heading in new directions, and offering new features, like video capture, and ultra-high megapixel counts in the Nikon D3x, Sony A900 and A850,and Canon 5D Mark II cameras. Nikon has introduced 51-point AF, and Canon's new 7D has 19 point AF with all 19 AF points being cross-type. Flash technology is becoming more and more sophisticated. The Strobist blog site and the Strobist movement has put more and more people into situations where off-camera speedlights and low-cost monolights are being used more frequently than ever. Portable pure sine wave inverters like the Paul C. Buff Vagabond II and the Innovatronix Explorer series of portable sine wave inverters are making it possible to move studio strobes outside, off the grid.

IN SHORT, there seems to be a huge,swirling torrent of changes in the d-slr world these days. I can sense a lot of disorientation among hobbyists, who wonder if it's time to invest in some studio lights, or who wonder if the full frame bodies are worth the extra cost over DX bodies. I also see a smaller subset of people who seem burned out on the whole d-slr picture-taking thing,and are desiring a smaller,lighter camera but one that has high capabilities. On the various discussion forums these days, I see ideas and ideologies clashing with one another, every day, on every forum. Some people are upset that Canon went with a 1.6x crop, 18 megapixel sensor in their 7D; other people are upset that Nikon has not updated the D700 to a 21-24 megapixel camera; many Canon users are bummed that Canon has no "fast-handling and afordable" pro-type body with full frame that can compete with the Nikon D700 in situations where sophisticated AF and high ISO performance and a fast-handling body are supremely advantageous. All in all, it seems as if the huge, complex mass of d-slr shooters has become a competing sea of differing interests, and the groups and sub-groups within the photography field are no longer content with whatever the manufacturers come out with. It is now almost as if a large subset of the market is mostly UN-happy with the products the big manufacturers release!

Wednesday, September 30, 2009

The New Cameras of Late 2009

Since my last blog entry, a multiple new d-slr models have been announced, or hit the streets. Most notable would be the new Canon 7D and the Sony Alpha 850. Both cameras bring advanced features and technology down to never before seen price points, and both up the 'game' for their respective makers. Canon now has a new autofocusing system, and its first ever built-in wireless flash commander, AND its first-ever color-aware light metering system (like the one Nikon invented in the mid-1990's, only slightly different). Canon has finally managed to come up with a $1699 price point camera that can compete on features and capabilities with the now two-year old Nikon D300,and the new Nikon D300s, which added video. Sony's Alpha 850 is almost IDENTICAL in feature set to the Alpha 900, only the newer model has a little bit less precisely calibrated viewfinder, and yet is priced at $1899. And we need to keep in mind--these prices were set AFTER a recent across the board price hike that hit virtually all major Japanese camera makers' lenses,cameras, and accessories. As I have said often, this is a great time to be involved in photography!

The new Pentax K-7 looks intriguing; I recently saw a couple of sample images from this camera that looked even higher resolution, and more filled with real,significant detail than even the 17+ MP Canon 7D's images. Of course, the Pentax has just under 15 megapixels, which is not much different than 17.6 megapixels,and as we know, there is much more to a camera's imaging chain than just the sensor. It's kind of a shame that Pentax has lost so much ground over the last 20 years,especially in North America. Pentax still has a relatively strong,loyal following in Japan, as well as a much smaller yet still loyal following in the USA and Canada. The company's DA* line of lenses seems particularly well thought out in terms of angles of view and the APS-C sensor size that Pentax has standardized on.

Looking at Nikon, most users don't see anything especially new or innovative,and of course, that's to be expected from Nikon I think; they are a slow-moving,conservative company and their product cycles are well known by now. If anything, I expect new LENSES from NIkon to be the biggest announcements they make over the next year or so. I expect that the 85mm f/1./4 and 80-400 VR lenses will be iterated, and of course, they have already announced the new,second generation of the 70-200 f/2.8 VR lens.

Canon's next professionally oriented, high-megapixel flagship camera, the EOS 1Ds Mark IV is expected soon by many people. My question though is WHEN will Canon adopt a new name for the EOS 1Ds models? When will they move to the EOS 2 generation, or add some other differentiating letters? That lower case s is getting pretty tired by now, holding up all those megapixels!